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1966 Oscars:
The 1966 Academy Awards were presented April 10, 1967 at the Santa Monica Civic Auditorium.
| Best Picture | Alfie, Lewis Gilbert, producer (Paramount) |
| A Man for All Seasons, Fred Zinnemann, producer (Columbia) |
| The Russians Are Coming, The Russians Are Coming, Norman Jewison, producer (United Artists) |
| The Sand Pebbles, Robert Wise, producer (Twentieth Century-Fox) | | Who's Afraid of Virginia Woolf? Ernest Lehman, producer (Warner Bros.) |
| Best Actor | Alan Arkin, The Russians Are Coming, The Russians Are Coming |
| Richard Burton, Who's Afraid of Virginia Woolf? |
| Michael Caine, Alfie |
| Steve McQueen, The Sand Pebbles | | Paul Scofield, A Man for All Seasons |
| Best Actress | Anouk Aimée, A Man and a Woman |
| Ida Kaminska, The Shop on Main Street |
| Lynn Redgrave, Georgy Girl |
| Vanessa Redgrave, Morgan! |
| Elizabeth Taylor, Who's Afraid of Virginia Woolf? | |
| Actor in a Supporting Role | Mako, The Sand Pebbles |
| James Mason, Georgy Girl |
| Walter Matthau, The Fortune Cookie |
| George Segal, Who's Afraid of Virginia Woolf? | | Robert Shaw, A Man for All Seasons |
| Actress in a Supporting Role | Sandy Dennis, Who's Afraid of Virginia Woolf? |
| Wendy Hiller, A Man for All Seasons |
| Jocelyne Lagarde, Hawaii |
| Vivien Merchant, Alfie | | Geraldine Page, You're a Big Boy Now |
| Directing | Michelangelo Antonioni, Blow-Up |
| Richard Brooks, The Professionals |
| Claude Lelouch, A Man and a Woman |
| Mike Nichols, Who's Afraid of Virginia Woolf? | | Fred Zinnemann, A Man for All Seasons |
| Writing |
| Screenplay Based on Material From Another Medium | Robert Bolt, A Man for All Seasons |
| Richard Brooks, The Professionals |
| Ernest Lehman, Who's Afraid of Virginia Woolf? |
| Bill Naughton, Alfie | | William Rose, The Russians Are Coming, The Russians Are Coming |
| Story and Screenplay Written Directly for the Screen | Michelangelo Antonioni, story; Michelangelo Antonioni, Tonino Guerra and Edward Bond, Blow-Up |
| Robert Ardrey, Khartoum |
| Clint Johnston and Don Peters, The Naked Prey |
| Claude Lelouch, story; Pierre Uytterhoeven and Claude Lelouch, screenplay, A Man and a Woman | | Billy Wilder and I. A. L. Diamond, The Fortune Cookie | |
| Cinematography |
| Black-and-White | Marcel Grignon, Is Paris Burning? |
| Ken Higgins, Georgy Girl |
| James Wong Howe, Seconds |
| Joseph LaShelle, The Fortune Cookie | | Haskell Wexler, Who's Afraid of Virginia Woolf? |
| Color | Conrad Hall, The Professionals |
| Russell Harlan, Hawaii |
| Ernest Laszlo, Fanastic Voyage |
| Joseph MacDonald, The Sand Pebbles | | Ted Moore, A Man for All Seasons | |
| Art Direction |
| Black-and-White | George W. Davis and Paul Groesse, art direction; Henry Grace and Hugh Hunt, set decoration, Mister Buddwing |
| Willy Holt, art direction; Marc Frederix and Pierre Guffroy, set decoration, Is Paris Burning? |
| Robert Luthardt, art direction; Edward G. Boyle, set decoration, The Fortune Cookie |
| Luigi Scaccianoce, art direction, The Gospel According to St. Matthew | | Richard Sylbert, art direction; George James Hopkins, set decoration, Who's Afraid of Virginia Woolf? |
| Color | Piero Gherardi, art direction, Juliet of the Spirits |
| Alexander Golitzen and George C. Webb, art direction; John McCarthy and John Austin, set decoration, Gambit |
| Boris Leven, art direction; Walter M. Scott, John Sturtevant and William Kiernan, set decoration, The Sand Pebbles |
| Hal Pereira and Arthur Lonergan, art direction; Robert Benton and James Payne, set decoration, The Oscar | | Jack Martin Smith and Dale Hennesy, art direction; Walter M. Scott and Stuart A. Reiss, set decoration, Fantastic Voyage | |
| Sound | MGM Studio Sound Dept., Grand Prix |
| Samuel Goldwyn Studio Sound Dept., Hawaii |
| Twentieth Century-Fox Studio Sound Dept., The Sand Pebbles |
| Universal City Studio Sound Dept., Gambit | | Warner Bros. Studio Sound Dept., Who's Afraid of Virginia Woolf? |
| Music |
| Song | “Alfie,” Alfie, Burt Bacharach, music; Hal David, lyrics |
| “Born Free,” Born Free, John Barry, music; Don Black, lyrics |
| “Georgy Girl,” Georgy Girl, Tom Springfield, music; Jim Dale, lyrics |
| “My Wishing Doll,” Hawaii, Elmer Bernstein, music; Mack David, lyrics | | “A Time for Love,” An American Dream, Johnny Mandel, music; Paul Francis Webster, lyrics |
| Original Music Score | John Barry, Born Free |
| Elmer Bernstein, Hawaii |
| Jerry Goldsmith, The Sand Pebbles |
| Toshiro Mayuzumi, The Bible | | Alex North, Who's Afraid of Virginia Woolf? |
| Scoring of Music, Adaptation or Treatment | Luis Enrique Bacalov, The Gospel According to St. Matthew |
| Elmer Bernstein, Return of the Seven |
| Al Ham, Stop the World—I Want to Get Off |
| Harry Sukman, The Singing Nun | | Ken Thorne, A Funny Thing Happened on the Way to the Forum | |
| Film Editing | Hal Ashby and J. Terry Williams, The Russians Are Coming, The Russians Are Coming |
| William B. Murphy, Fantastic Voyage |
| Sam O'Steen, Who's Afraid of Virginia Woolf? |
| William Reynolds, The Sand Pebbles | | Fredric Steinkamp, Henry Berman, Stewart Linder and Frank Santillo, Grand Prix |
| Costume Design |
| Black-and-White | Danilo Donati, The Gospel According to St. Matthew |
| Danilo Donati, Mandragola |
| Jocelyn Rickards, Morgan! |
| Helen Rose, Mister Buddwing | | Irene Sharaff, Who's Afraid of Virginia Woolf? |
| Color | Piero Gherardi, Juliet of the Spirits |
| Elizabeth Haffenden and Joan Bridge, A Man for All Seasons |
| Edith Head, The Oscar |
| Dorothy Jeakins, Hawaii | | Jean Louis, Gambit | |
| Special Visual Effects | Art Cruickshank, Fantastic Voyage | | Linwood G. Dunn, Hawaii |
| Sound Effects | Gordon Daniel, Grand Prix | | Walter Rossi, Fantastic Voyage |
| Short Subjects |
| Cartoon | The Drag (National Film Board of Canada; Favorite Films of California) |
| Herb Alpert and the Tijuana Brass Double Feature (I Feel Special Series) (Hubley Studios; Paramount) | | The Pink Blueprint (Pink Panther Series) (Mirisch-Geoffrey-DePatie-Freleng; United Artists) |
| Live Action | Turkey the Bridge (Samaritan Productions; Schoenfeld Films) |
| Wild Wings (British Transport Films; Manson Distributing) | | The Winning Strain (Sports in Action Series) (Winik Films; Paramount) | |
| Documentary |
| Short Subject | Adolescence (Marin Karmitz and Vladimir Forgency, producers; M.K. Productions) |
| Cowboy (Ahnemann /Schlosser Productions; U.S. Information Agency) |
| The Odds Against (Vision Associates Production; American Foundation Institute of Corrections) |
| Saint Matthew Passion (Mafilm Studios Production; Hungarofilm) | | A Year Toward Tomorrow (Sun Dial Films, Inc.; Office of Economic Opportunity) |
| Feature | The Face of Genius (WBZ-TV, Group W, Boston) |
| Helicopter Canada (National Film Board of Canada Centennial Commission; National Film Board of Canada) |
| Le Volcan Interdit (The Forbidden Volcano) (Cine Documents Tazieff; Athos Films) |
| The Really Big Family (Alex Grasshoff, producer; David L. Wolper Production) | | The War Game (BBC Production for the British Film Institute; Pathé Contemporary Films) | |
| Foreign Language Film | The Battle of Algiers, Italy |
| Loves of a Blonde, Czechoslovakia |
| A Man and a Woman, France |
| Pharaoh, Poland | | Three, Yugoslavia |
| Irving G. Thalberg Memorial Award | Robert Wise |
| Jean Hersholt Humanitarian Award | George Bagnall |
| Honorary Awards | To Y. Frank Freeman for unusual and outstanding service to the Academy during his 30 years in Hollywood | | To Yakima Canutt for achievements as a stuntman and for developing safety devices to protect stuntmen everywhere |
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