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1964 Oscars:
The 1964 Academy Awards were presented April 5, 1965 at the Santa Monica Civic Auditorium.
| Best Picture | Becket, Hal B. Wallis, producer (Paramount) |
| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick, producer (Columbia) |
| Mary Poppins, Walt Disney and Bill Walsh, producers (Buena Vista) |
| My Fair Lady, Jack L. Warner, producer (Warner Bros.) |
| Zorba the Greek, Michael Cacoyannis, producer (International Classics) | |
| Best Actor | Richard Burton, Becket |
| Rex Harrison, My Fair Lady |
| Peter O'Toole, Becket |
| Anthony Quinn, Zorba the Greek | | Peter Sellers, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
| Best Actress | Julie Andrews, Mary Poppins |
| Anne Bancroft, The Pumpkin Eater |
| Sophia Loren, Marriage Italian Style |
| Debbie Reynolds, The Unsinkable Molly Brown | | Kim Stanley, Seance on a Wet Afternoon |
| Actor in a Supporting Role | John Gielgud, Becket |
| Stanley Holloway, My Fair Lady |
| Edmond O'Brien, Seven Days in May |
| Lee Tracy, The Best Man | | Peter Ustinov, Topkapi |
| Actress in a Supporting Role | Gladys Cooper, My Fair Lady |
| Dame Edith Evans, The Chalk Garden |
| Grayson Hall, The Night of the Iguana |
| Lila Kedrova, Zorba the Greek | | Agnes Moorehead, Hush…Hush, Sweet Charlotte |
| Directing | Michael Cacoyannis, Zorba the Greek |
| George Cukor, My Fair Lady |
| Peter Glenville, Becket |
| Stanley Kubrick, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | | Robert Stevenson, Mary Poppins |
| Writing |
| Screenplay Based on Material From Another Medium | Edward Anhalt, Becket |
| Michael Cacoyannis, Zorba the Greek |
| Stanley Kubrick, Peter George and Terry Southern, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
| Alan Jay Lerner, My Fair Lady | | Bill Walsh and Don DaGradi, Mary Poppins |
| Story and Screenplay Written Directly for the Screen | Age, Scarpelli and Mario Monicelli, The Organizer |
| S. H. Barnett, story; Peter Stone and Frank Tarloff, screenplay, Father Goose |
| Orville H. Hampton, story; Orville H. Hampton and Raphael Hayes, screenplay, One Potato, Two Potato |
| Alun Owen, A Hard Day's Night | | Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger and Philippe De Broca, That Man From Rio | |
| Cinematography |
| Black-and-White | Joseph Biroc, Hush…Hush, Sweet Charlotte |
| Gabriel Figueroa, The Night of the Iguana |
| Milton Krasner, Fate Is the Hunter |
| Walter Lassally, Zorba the Greek | | Philip H. Lathrop, The Americanization of Emily |
| Color | William H. Clothier, Cheyenne Autumn |
| Edward Colman, Mary Poppins |
| Daniel L. Fapp, The Unsinkable Molly Brown |
| Harry Stradling, My Fair Lady | | Geoffrey Unsworth, Becket | |
| Art Direction |
| Black-and-White | George W. Davis, Hans Peters and Elliot Scott, art direction; Henry Grace and Robert R. Benton, set decoration, The Americanization of Emily |
| Vassilis Fotopoulos, Zorba the Greek |
| William Glasgow, art direction; Raphael Bretton, set decoration, Hush…Hush, Sweet Charlotte |
| Stephen Grimes, The Night of the Iguana | | Cary Odell, art direction; Edward G. Boyle, set decoration, Seven Days in May |
| Color | Gene Allen and Cecil Beaton, art direction; George James Hopkins, set decoration, My Fair Lady |
| John Bryan and Maurice Carter, art direction; Patrick McLoughlin and Robert Cartwright, set decoration, Becket |
| Carroll Clark and William H. Tuntke, art direction; Emile Kuri and Hal Gausman, set decoration, Mary Poppins |
| George W. Davis and Preston Ames, art direction; Henry Grace and Hugh Hunt, set decoration, The Unsinkable Molly Brown | | Jack Martin Smith and Ted Haworth, art direction; Walter M. Scott and Stuart A. Reiss, set decoration, What a Way to Go! | |
| Sound | MGM Studio Sound Dept., The Unsinkable Molly Brown |
| Shepperton Studio Sound Dept., Becket |
| Universal City Studio Sound Dept., Father Goose |
| Walt Disney Studio Sound Dept., Mary Poppins | | Warner Bros. Studio Sound Dept., My Fair Lady |
| Music |
| Song | “Chim Chim Cher-ee,” Mary Poppins, Richard M. Sherman and Robert B. Sherman, music and Iyrics |
| “Dear Heart,” Dear Heart, Henry Mancini, music; Jay Livingston and Ray Evans, Iyrics |
| “Hush…Hush, Sweet Charlotte,” Hush…Hush, Sweet Charlotte, Frank DeVol, music; Mack David, Iyrics |
| “My Kind of Town,” Robin and the 7 Hoods, James Van Heusen, music; Sammy Cahn, Iyrics | | “Where Love Has Gone,” Where Love Has Gone, James Van Heusen, music; Sammy Cahn, Iyrics |
| Musical Score, Substantially Original | Frank DeVol, Hush…Hush, Sweet Charlotte |
| Henry Mancini, The Pink Panther |
| Laurence Rosenthal, Becket |
| Richard M. Sherman and Robert B. Sherman, Mary Poppins | | Dimitri Tiomkin, The Fall of the Roman Empire |
| Scoring of Music, Adaptation or Treatment | Robert Armbruster, Leo Arnaud, Jack Elliott, Jack Hayes, Calvin Jackson and Irwin Kostal, Mary Poppins |
| George Martin, A Hard Day's Night |
| André Previn, My Fair Lady |
| Nelson Riddle, Robin and the 7 Hoods | | Leo Shuken, The Unsinkable Molly Brown | |
| Film Editing | Anne Coates, Becket |
| Ted J. Kent, Father Goose |
| Michael Luciano, Hush…Hush, Sweet Charlotte |
| Cotton Warburton, Mary Poppins | | William Ziegler, My Fair Lady |
| Costume Design |
| Black-and-White | Edith Head, A House Is Not a Home |
| Rene Hubert, The Visit |
| Dorothy Jeakins, The Night of the Iguana |
| Norma Koch, Hush…Hush, Sweet Charlotte | | Howard Shoup, Kisses for My President |
| Color | Cecil Beaton, My Fair Lady |
| Margaret Furse, Becket |
| Morton Haack, The Unsinkable Molly Brown |
| Edith Head and Moss Mabry, What a Way to Go! | | Tony Walton, Mary Poppins | |
| Special Visual Effects | Jim Danforth, 7 Faces of Dr. Lao | | Peter Ellenshaw, Hamilton Luske and Eustace Lycett, Mary Poppins |
| Sound Effects | Robert L. Bratton, The Lively Set | | Norman Wanstall, Goldfinger |
| Short Subjects |
| Cartoon | Christmas Cracker (National Film Board of Canada; Favorite Films of California) |
| How to Avoid Friendship (Self-Help Series) (Rembrandt Films; Film Representations) |
| Nudnik #2 (Nudnik Series) (Rembrandt Films; Film Representations) | | The Pink Phink (Pink Panther Series) (Mirisch-Geoffrey Productions; United Artists) |
| Live Action Subject | Casals Conducts: 1964 (Thalia Films; Beckman Film Corp.) |
| Help! My Snowman's Burning Down (Carson Davidson Productions; Pathé Contemporary Films) | | The Legend of Jimmy Blue Eyes (Robert Clouse Associates; Topaz Film Corp.) | |
| Documentary |
| Short Subject | Breaking the Habit (American Cancer Society; Modern Talking Picture Service) |
| Children Without (Guggenheim Productions; National Education Association) |
| Kenojuak (National Film Board of Canada) |
| Nine From Little Rock (Guggenheim Productions; U.S. Information Agency) | | 140 Days Under the World (New Zealand National Film Unit; Rank Film Distributors of New Zealand) |
| Feature | The Finest Hours (Le Vien Films, Ltd.; Columbia) |
| Four Days in November (David L. Wolper Productions; United Artists) |
| The Human Dutch (Bert Haanstra, producer; Haanstra Filmproductie) |
| Jacques-Yves Cousteau's World Without Sun (Filmad Les Requins Associes-Orsay-CEIAP; Columbia) | | Over There, 1914—18 (Zodiac Productions; Pathé Contemporary Films) | |
| Foreign Language Film | Raven's End, Sweden |
| Sallah, Israel |
| The Umbrellas of Cherbourg, France |
| Woman in the Dunes, Japan | | Yesterday, Today and Tomorrow, Italy |
| Honorary Award | To William Tuttle for his outstanding makeup achievement for 7 Faces of Dr. Lao |
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