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1951 Oscars:
The 1951 Academy Awards were presented March 20, 1952 at the RKO Pantages Theatre, Hollywood, Calif.
| Best Motion Picture | An American in Paris, Arthur Freed, producer (MGM) |
| Decision Before Dawn, Anatole Litvak and Frank McCarthy, producers (Twentieth Century-Fox) |
| A Place in the Sun, George Stevens, producer (Paramount) |
| Quo Vadis, Sam Zimbalist, producer (MGM) | | A Streetcar Named Desire, Charles K. Feldman, producer (Warner Bros.) |
| Best Actor | Humphrey Bogart, The African Queen |
| Marlon Brando, A Streetcar Named Desire |
| Montgomery Clift, A Place in the Sun |
| Arthur Kennedy, Bright Victory |
| Fredric March, Death of a Salesman | |
| Best Actress | Katharine Hepburn, The African Queen |
| Vivien Leigh, A Streetcar Named Desire |
| Eleanor Parker, Detective Story |
| Shelley Winters, A Place in the Sun | | Jane Wyman, The Blue Veil |
| Actor in a Supporting Role | Leo Genn, Quo Vadis |
| Karl Malden, A Streetcar Named Desire |
| Kevin McCarthy, Death of a Salesman |
| Peter Ustinov, Quo Vadis | | Gig Young, Come Fill the Cup |
| Actress in a Supporting Role | Joan Blondell, The Blue Veil |
| Mildred Dunnock, Death of a Salesman |
| Lee Grant, Detective Story |
| Kim Hunter, A Streetcar Named Desire | | Thelma Ritter, The Mating Season |
| Directing | John Huston, The African Queen |
| Elia Kazan, A Streetcar Named Desire |
| Vincente Minnelli, An American in Paris |
| George Stevens, A Place in the Sun | | William Wyler, Detective Story |
| Writing |
| Motion Picture Story | Budd Boetticher and Ray Nazarro, Bullfighter and the Lady |
| Paul Dehn and James Bernard, Seven Days to Noon |
| Alfred Hayes and Stewart Stern, Teresa |
| Oscar Millard, The Frogmen | | Robert Riskin and Liam O'Brian, Here Comes the Groom |
| Screenplay | James Agee and John Huston, The African Queen |
| Jacques Natanson and Max Ophuls, La Ronde |
| Tennessee Williams, A Streetcar Named Desire |
| Michael Wilson and Harry Brown, A Place in the Sun | | Philip Yordan and Robert Wyler, Detective Story |
| Story and Screenplay | Philip Dunne, David and Bathsheba |
| Clarence Greene and Russell Rouse, The Well |
| Alan Jay Lerner, An American in Paris |
| Robert Pirosh, Go for Broke! | | Billy Wilder, Lesser Samuels and Walter Newman, The Big Carnival | |
| Cinematography |
| Black-and-White | Norbert Brodine, The Frogmen |
| Robert Burks, Strangers on a Train |
| William C. Mellor, A Place in the Sun |
| Frank Planer, Death of a Salesman | | Harry Stradling, A Streetcar Named Desire |
| Color | Alfred Gilks and John Alton, An American in Paris |
| Charles Rosher, Show Boat |
| John F. Seitz and W. Howard Greene, When Worlds Collide |
| Leon Shamroy, David and Bathsheba | | Robert Surtees and William V. Skall, Quo Vadis | |
| Art Direction |
| Black-and-White | Richard Day, art direction; George James Hopkins, set decoration, A Streetcar Named Desire |
| D'Eaubonne, art direction and set decoration, La Ronde |
| Cedric Gibbons and Paul Groesse, art direction; Edwin B. Willis and Jack D. Moore, set decoration, Too Young to Kiss |
| Lyle Wheeler and John DeCuir, art direction; Thomas Little and Paul S. Fox, set decoration, House on Telegraph Hill | | Lyle Wheeler and Leland Fuller, art direction; Thomas Little and Fred J. Rode, set decoration, Fourteen Hours |
| Color | Cedric Gibbons and Preston Ames, art direction; Edwin B. Willis and Keogh Gleason, set decoration, An American in Paris |
| Hein Heckroth, art direction and set decoration, Tales of Hoffmann |
| William A. Horning, Cedric Gibbons and Edward Carfagno, art direction; Hugh Hunt, set decoration, Quo Vadis |
| Lyle Wheeler and George Davis, art direction; Thomas Little and Paul S. Fox, set decoration, David and Bathsheba | | Lyle Wheeler and Leland Fuller, art direction; Joseph C. Wright, musical settings; Thomas Little and Walter M. Scott, set decoration, On the Riviera | |
| Sound Recording | MGM Studio Sound Dept., The Great Caruso |
| RKO Radio Studio Sound Dept., Two Tickets to Broadway |
| Samuel Goldwyn Studio Sound Dept., I Want You |
| Universal-International Studio Sound Dept., Bright Victory | | Warner Bros. Studio Sound Dept., A Streetcar Named Desire |
| Music |
| Song | “In the Cool, Cool, Cool of the Evening,” Here Comes the Groom, Hoagy Carmichael, music; Johnny Mercer, lyrics |
| “A Kiss to Build a Dream On,” The Strip, Bert Kalmar, Harry Ruby and Oscar Hammerstein II, music and lyrics |
| “Never,” Golden Girl, Lionel Newman, music; Eliot Daniel, lyrics |
| “Too Late Now,” Royal Wedding, Burton Lane, music; Alan Jay Lerner, lyrics | | “Wonder Why,” Rich, Young and Pretty, Nicholas Brodszky, music; Sammy Cahn, lyrics |
| Scoring of a Dramatic or Comedy Picture | Alfred Newman, David and Bathsheba |
| Alex North, Death of a Salesman |
| Alex North, A Streetcar Named Desire |
| Miklos Rozsa, Quo Vadis | | Franz Waxman, A Place in the Sun |
| Scoring of a Musical Picture | Peter Herman Adler and Johnny Green, The Great Caruso |
| Adolph Deutsch and Conrad Salinger, Show Boat |
| Johnny Green and Saul Chaplin, An American in Paris |
| Alfred Newman, On the Riviera | | Oliver Wallace, Alice in Wonderland | |
| Film Editing | Adrienne Fazan, An American in Paris |
| William Hornbeck, A Place in the Sun |
| Chester Schaeffer, The Well |
| Dorothy Spencer, Decision Before Dawn | | Ralph E. Winters, Quo Vadis |
| Costume Design |
| Black-and-White | Lucinda Ballard, A Streetcar Named Desire |
| Edith Head, A Place in the Sun |
| Charles LeMaire and Renie, The Model and the Marriage Broker |
| Walter Plunkett and Gile Steele, Kind Lady | | Edward Stevenson and Margaret Furse, The Mudlark |
| Color | Hein Heckroth, Tales of Hoffmann |
| Charles LeMaire and Edward Stevenson, David and Bathsheba |
| Herschel McCoy, Quo Vadis |
| Orry-Kelly, Walter Plunkett and Irene Sharaff, An American in Paris | | Helen Rose and Gile Steele, The Great Caruso | |
| Special Effects | When Worlds Collide (Paramount) |
| Short Subjects |
| Cartoon | Lambert, the Sheepish Lion (Walt Disney Productions; RKO Radio) |
| Rooty Toot Toot (Jolly Frolics Series) (United Productions of America; Columbia) | | Two Mouseketeers (Tom and Jerry Series) (Frederick Quimby, producer; MGM) |
| One-Reel | Ridin' the Rails (Grantland Rice Spotlight Series) (Jack Eaton, producer; Paramount) |
| The Story of Time (Signal Films Production; Cornell Film Company) | | World of Kids (Vitaphone Novelties Series) (Robert Youngson, producer; Warner Bros.) |
| Two-Reel | Balzac (Les Films du Compass; A.F. Films, Inc.) |
| Danger Under the Sea (Tom Mead, producer; Universal-International) | | Nature's Half Acre (True-Life Adventure Series) (Walt Disney Productions; RKO Radio) | |
| Documentary |
| Short Subject | Benjy (Fred Zinnemann, producer; Paramount) |
| One Who Came Back (U.S. Department of Defense; Association of Motion Picture Producers) | | The Seeing Eye (Gordon Hollingshead, producer; Warner Bros.) |
| Feature | I Was a Communist for the F.B.I. (Bryan Foy, producer; Warner Bros.) | | Kon-Tiki (Artfilm Production; RKO Radio) | |
| Irving G. Thalberg Memorial Award | Arthur Freed |
| Honorary Awards | To Gene Kelly in appreciation of his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film | | To Rashomon (Japan) voted by the Board of Governors as the most outstanding foreign language film released in the United States during 1951 |
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